back to main
N E W S
Weissenhof Grotesk at Weissenhofwerkstatt
The design process and some applications of the font
Weissenhof Grotesk are exhibited during the weekend
of the International Museum Day on 21 May in the
"Weissenhofwerkstatt im Haus Mies van der Rohe" at
the historic Weissenhof estate in Stuttgart.
Weissenhof Grotesk press
Several magazines and blogs have featured the new font
Weissenhof Grotesk, including Design made in Germany,
Slanted Magazine (spring/summer 2016), Novum (05.16)
and Page Magazine (06.2016). Moreover it was among
MyFonts' Most Popular Fonts of 2015.
Interactive Type Workshop
Stefanie will hold a workshop at Kingston University
in London on creative coding and interactive type.
New font "Weissenhof Grotesk" by Stefanie Schwarz and
Dirk Wachowiak just released by the Indian Type Foundry.
Exhibition at Dortmunder U
Two of Stefanie's works are part of the exhibition and
research project "Dialogues on books", which presents
innovative concepts in the field of book design.
In collaboration with the Buchlabor of the FH Dortmund
it is held at the Dortmunder U - Zentrum fuer Kunst
und Kreativitaet and runs from 25 April until 7 June.
Typography Conference in Portugal
In November Stefanie will present her research about
interactive type at the 5th Meeting of Typography
in Barcelos, Portugal. The conference is organized
by the resident Design Department of the Polytechnic
Institute of Cavado and Ave.
Lecture at design festival
Stefanie holds a lecture at the design festival Captcha
that is themed around the subject of experimental
typography and organized by students at the University
of Applied Sciences in Mannheim.
Talk at Studio Visuell
Along with Andy Altmann (Why Not Associates),
Stefanie has been invited to give a talk
at the yearly summer event of Studio Visuell
Together with DesignScience founders Anne Odling-Smee
and Patrick Roberts, Stefanie holds a workshop at
Imperial College London. Funded by the Wellcome Trust
and aimed at researchers from all disciplines of science,
it imparts design basics as well as the importance
of visual communication design within the field of science.
On the Underground and beyond
One of Stefanie's type experiments can be seen across
London - in art, design and cultural destinations
as well as on the tube. The artwork was created during
her MA at Central Saint Martins and is now featured
in a campaign to promote her former school and other
colleges of the University of the Arts London.
In collaboration with Dirk Wachowiak,
Stefanie launched the typographic research lab
Open2Type which is conceived as a field of
experimentation as well as a platform to showcase
their type-related projects.
Published x 2
Two of Germany's widespread design magazines
Page (October issue) and Novum (November issue)
feature the results of a workshop held by
Stefanie, together with Dirk Wachowiak, at the
School of Design in Pforzheim.
After previous collaborations with DesignScience,
Stefanie continues to work with the London-based
institution and becomes one of its associates.
By applying design to science and science to design,
DesignScience aims to develop innovative ways
of working across these two fields.
Lecture at Royal College of Art
Stefanie has been invited to give a lecture at the
Royal College of Art. The talk outlined her research
that explores analogue, digital, traditional and
future type-related design methods and technologies.
Lecture at Central Saint Martins
Central Saint Martins College of Arts and Design
invited Stefanie to give a talk about her
investigations how type can be designed and used
as an interactive and creative tool.
Holz, Blei, Bits und Bytes
Stefanie will lead a discussion at her typography and type
design workshop at Stuttgart State Academy of Art and Design.
Students and alumni are invited to debate on the meaning
of letterpress in the digital age and in which way digital
and analogue methods could coexist.
Together with Dirk Wachowiak, Stefanie has been invited
by the School of Design at Pforzheim University to
give a type design workshop. For three days 20 students
were working on typefaces that had to be related to
the topic "MerkWuerdig" which means peculiar or remarkable.
In the end all participants contributed to a publication
that features their merkWuerdig fonts.
Certificate of Typographic Excellence
The poster "Work in Progress" has been selected by the
judges of the Type Directors Club in New York to receive
the "Certificate of Typographic Excellence".